Inori no Mori祈りの杜working title

Read, reflect, pray

Nine-syllable transmission and recitation words

九字伝授・唱え言葉くじでんじゆ・となへことば

A text in the 1911 Shintō Ōharai Zenshū anthology. It is presented as a historical reading, not the current ritual of every shrine or temple.

English meaning, sound explanations and source text

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English meaning and sound explanations

About this English rendering

This site’s English rendering of the Japanese meaning guide, aligned with this edition. It is separate from the source words for recitation and is not an official liturgy. Sacred sounds are explained where possible, not given speculative literal translations. Historical beliefs, royal authority, illness and protection claims belong to the text; they are not present-day judgments, medical advice or guarantees of results.

Section 1

Sound explanation

The nine characters 臨・兵・闘・者・皆・陣・列・在・前 are recited.

This recitation uses the nine characters. The edition provides no explanation of their meaning; they are not replaced with a universal prayer for all kami and buddhas.

Section 2

Sound explanation

This is a mantra addressed to Nittenshi, the solar deity. It is a passage for reciting the sounds of the original.

The recipient is identified from the heading; no literal translation has been established from the phonetic text.

Section 3

Sound explanation

This is a mantra addressed to Marishiten. It is a passage for reciting the sounds of the original.

The recipient is identified from the heading; no literal translation has been established from the phonetic text.

Section 4

With wholehearted refuge, I bow with my head to the ground. Great solar deity, Amaterashimasu Hi no Ōmikami, shine throughout the worlds in every direction to save all living beings.

Section 5

May the seven calamities immediately disappear.

Sound explanation

The five sounds ‘abira unken’ are recited.

This phrase strings together seed-syllable sounds. No translation as an ordinary sentence is presented.

Section 6

May the seven blessings immediately arise.

Sound explanation

‘Basara zato ban’ is recited.

This recitation follows the edition’s phonetic transcription. Individual sound meanings are not established here.

Section 7

Sound explanation

A mantra combining sounds associated with the names of Nittenshi and Marishiten is recited.

This explains correspondence with the preceding two mantras; it is not a literal translation of the entire formula.

Section 8

Please protect the person designated by the placeholder name and compassionately receive this wish.

Section 9

Sound explanation

This is the Jōsangō inmyō, a seal-and-mantra formula for purifying the three activities of body, speech, and mind.

The use is identified from the heading. A literal translation of the phonetic text is not established.

Section 10

Sound explanation

A mantra associated with the samaya of the Buddha family is recited.

The Buddha family is an esoteric Buddhist division. A literal translation of this edition’s phonetic text is not established.

Section 11

Sound explanation

A mantra associated with the samaya of the Lotus family is recited.

The Lotus family is an esoteric Buddhist division. A literal translation of this edition’s phonetic text is not established.

Section 12

Sound explanation

A mantra associated with the samaya of the Vajra family is recited.

The Vajra family is an esoteric Buddhist division. A literal translation of this edition’s phonetic text is not established.

Section 13

Sound explanation

The Goshin samaya mantra for protection of the body is recited.

The use is identified from the heading. A literal translation of the phonetic text is not established.

Source text and reading aid

Roman letters are provided for every line of this source text.

How to use the Roman letters

Roman letters follow the kana displayed in this site’s Japanese reader; some readings are editorial additions documented on the Japanese page. These are a reading aid, not restored Sanskrit or a recording of a temple’s chanting. Historical spellings (such as wo, wi, we and ha used as a particle) are kept. Double vowels and repeated vowels mark the written kana; rhythm and pronunciation can differ by tradition.

You can simply read the meaning or sit quietly. No recitation is required. For a temple or shrine’s own recitation, follow that tradition’s published guidance.

九字(くじ)

臨(りん)兵(ひやう)闘(とう)者(しや)皆(かい)陣(ぢん)列(れつ)在(ざい)前(ぜん)

rin hiyau tou shiya kai jin retsu zai zen

日天子真言(につてんじしんごん)

おん あぢちやや そわか

on ajichiyaya sowaka

摩利支天真言(まりしてんしんごん)

おん まりしゑい そわか

on marishiwei sowaka

合掌唱文(がつしやうしやうもん)

南無帰命頂礼(なむきみやうてうらい)。大日天子(だいにつてんじ)。天照坐日大御神(あまてらしましますひのおほみかみ)。為度衆生故(ゐどしゆじやうこ)。普照四天下(ふせうしてんげ)。

namukimiyauteurai. dainitsutenji. amaterashimashimasuhinoohomikami. widoshiyujiyauko. fuseushitenge.

外縛印(げばくのいん)

七難即滅(しちなんそくめつ)

shichinansokumetsu

あびらうんけん

abiraunken

内縛印(ないばくのいん)

七福即生(しちふくそくしやう)

shichifukusokushiyau

ばさらざとばん

basarazatoban

金剛合掌(こんがうがつしやう)

おん あぢちや まりしゑい そわか

on ajichiya marishiwei sowaka

合掌(がつしやう)

護持某甲(ごぢむかう)、哀愍納受(あいみんのうじゆ)

gojimukau, aiminnoujiyu

浄三業印明(じやうさんごういんみやう)

おん そわばんわ しゆださつわだるま そわばんわ しゆどがん

on sowabanwa shiyudasatsuwadaruma sowabanwa shiyudogan

仏部三昧耶(ぶつぶさんまや)

おん たたがとどばんわや そわか

on tatagatodobanwaya sowaka

蓮華部三昧耶(れんげぶさんまや)

おん はんどもどばんわや そわか

on handomodobanwaya sowaka

金剛部三昧耶(こんがうぶさんまや)

おん わじろどばんわや そわか

on wajirodobanwaya sowaka

護身三昧耶(ごしんさんまや)

おん わじらぎに はらじはたや そわか

on wajiragini harajihataya sowaka

Connected kami and buddhas

These connections include figures addressed, mentioned, or associated by tradition. They do not assign a universal recitation practice.

Sources and edition (1)

English explanations on this page were prepared by Inori no Mori from the cited text and its Japanese explanations. They are not an official translation or a prescribed liturgy.

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