Read, reflect, pray
Sai no Kawara Jizō Wasan
西院河原地蔵和讃
A Japanese devotional hymn about Jizō sheltering children at the riverbank of the dead. This reader follows the 1884 edition, including its closing invocation of Amida. Accusations voiced by the demon belong to the historical tale; they are not factual claims about bereaved families. The source was printed in katakana; this reader supplies kanji and reading aids and regularizes kana spelling.
English meaning and source text
English meaning
About this English rendering
This site’s English rendering of the Japanese meaning guide, aligned with this edition. It is separate from the source words for recitation and is not an official liturgy. Sacred sounds are explained where possible, not given speculative literal translations. Historical beliefs, royal authority, illness and protection claims belong to the text; they are not present-day judgments, medical advice or guarantees of results.
This rendering follows the 1884 text, including its closing invocation of Amida. The demon’s accusation is speech within a historical tale, not a claim that a bereaved parent’s grief harms a dead child.
Section 1
This is not a story of events in this world.
At the foot of the mountain on the road after death,
this is a tale of Sai no Kawara, the riverbank of the dead.
It is a sorrowful tale to hear.
Children aged two, three, four or five,
little children not yet ten years old,
gather at Sai no Kawara.
Longing for their fathers and mothers,
their cries of longing
are unlike the cries heard in this world;
their sorrow pierces to the bone.
Section 2
What these little children do is
gather stones from the riverbank
and build towers, dedicating the merit to others.
They build one tier for their fathers,
a second for their mothers,
and a third for those in their hometown,
their siblings and themselves.
Though they play on their own by day,
when evening falls,
a demon from hell appears.
The demon says: ‘What are you doing?
Your fathers and mothers, left in the living world,
perform neither memorial observances nor good deeds for you.
They only lament from morning to night,
saying how cruel, how sad, how pitiful it is.
Their lamentation becomes, for you,
a cause of suffering.
Therefore do not blame me.’
Saying this, the demon extends an iron rod
and knocks down the towers they have built.
Section 3
Then Jizō, the guide of living beings,
comes gently forth
and says: ‘Your lives were short,
and you have come on this journey through the realm of the dead.
The living world and this realm lie far apart.
Think of me as your father and mother here,
and turn to me morning and evening.’
Jizō draws the little children
inside the folds of the robe,
cherishing them with compassion. How deeply to be grateful.
The children too young to walk
are allowed to hold the staff;
against a body embodying patience and compassion,
Jizō cradles and gently strokes them,
cherishing them with compassion. How deeply to be grateful.
I take refuge in Amida Buddha.
Source text and reading aid
Roman letters are provided for every line of this source text.
How to use the Roman letters
Roman letters follow the kana displayed in this site’s Japanese reader; some readings are editorial additions documented on the Japanese page. These are a reading aid, not restored Sanskrit or a recording of a temple’s chanting. Historical spellings (such as wo, wi, we and ha used as a particle) are kept. Double vowels and repeated vowels mark the written kana; rhythm and pronunciation can differ by tradition.
You can simply read the meaning or sit quietly. No recitation is required. For a temple or shrine’s own recitation, follow that tradition’s published guidance.
賽の河原の子どもたち
これはこの世の事ならず
korehakono yono kotonarazu
死出の山路の裾野なる
shideno yamajino susononaru
賽の河原の物語
saino kawarano monogatari
聞くにつけても哀れなり
kikunitsuketemo awarenari
二つや三つや四つ五つ
futatsuya mittsuya yottsu itsutsu
十にも足らぬみどり子が
toonimo taranumidori goga
賽の河原に集まりて
saino kawarani atsumarite
父恋し母恋し
chichi koishi haha koishi
恋し恋しと泣く声は
koishi koishito naku koeha
この世の声とは事変わり
kono yono koetoha kotokawari
悲しさ骨身を通すなり
kanashisa honemiwo toosunari
石の塔と鬼の言葉
かのみどり子の所作として
kanomidori gono shosatoshite
河原の石を取り集め
kawarano ishiwo tori atsume
これにて回向の塔を組む
korenite ekouno touwo kumu
一重組んでは父のため
ichijuu kundeha chichinotame
二重組んでは母のため
nijuu kundeha hahanotame
三重組んではふるさとの
sanjuu kundehafurusatono
兄弟我が身と回向して
kyoudai waga mito ekoushite
昼はひとりで遊べども
hiruhahitoride asobedomo
日も入相のその頃は
himo iriainosono koroha
地獄の鬼が現れて
jigokuno oniga arawarete
やれ汝らは何をする
yare nanjiraha naniwosuru
娑婆に残りし父母は
shabani nokorishi chichihahaha
追善作善の務めなく
tsuizenzazenno tsutomenaku
ただ明け暮れの嘆きには
tada ake kureno nagekiniha
むごや悲しや不憫やと
mugoya kanashiya fubin'yato
親の嘆きは汝らが
oyano nagekiha nanjiraga
苦患を受くる種となる
kugenwo ukuru tanetonaru
我を恨むる事なかれと
warewo uramuru kotonakareto
くろがねの棒をのべ
kuroganeno bouwonobe
積みたる塔を押しくずす
tsumitaru touwo oshikuzusu
地蔵尊の救いと結び
その時能化の地蔵尊
sono toki noukeno jizouson
ゆるぎ出でさせ給いつつ
yurugi idesase tamaitsutsu
汝らいのち短くて
nanjirainochi mijikakute
冥途の旅に来るなり
meidono tabini kitarunari
娑婆と冥途はほど遠し
shabato meidohahodo tooshi
我を冥途の父母と
warewo meidono chichihahato
思うて明け暮れ頼めよと
omoute ake kure tanomeyoto
幼き者をみころもの
osanaki monowomikoromono
もすその内にかき入れて
mosusono uchinikaki irete
哀れみ給うぞありがたき
awaremi tamauzoarigataki
いまだ歩まぬみどり子を
imada ayumanumidori gowo
錫杖の柄に取りつかせ
shakujouno eni toritsukase
忍辱慈悲のみはだえに
ninnikujihinomihadaeni
抱きかかえてなでさすり
idakikakaetenadesasuri
哀れみ給うぞありがたき
awaremi tamauzoarigataki
南無阿弥陀仏
namuamidabutsu
Connected kami and buddhas
These connections include figures addressed, mentioned, or associated by tradition. They do not assign a universal recitation practice.
Sources and edition (2)
- 国立国会図書館/別宮又四郎 — 西院河原地蔵和讃(1884年9月)
- 国立国会図書館 レファレンス協同データベース/新潟県立図書館 — 地蔵和讃の中にある、賽の河原の和讃が全文掲載されている資料はありますか。
English explanations on this page were prepared by Inori no Mori from the cited text and its Japanese explanations. They are not an official translation or a prescribed liturgy.